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Output Afterhours: Joey, VP of Marketing

Every edition of Output Afterhours gives a glimpse into the people who make our tools come to life. On deck is Joey, VP of marketing.

Ready-To-Play: Native Instruments Sound Previews

Curious about beat making with the Native Instruments Sound Previews-ready Signal Pulse Engine? Learn more with musician Stefan Guy.

Josh Story Blends Modular Synths With Analog Brass & Winds

Output’s director of audio R&D puts a modern spin on the sounds from Analog Brass & Winds with analog synths in a modular jam session.

Output Afterhours: Nestor, Sound Designer

Every edition of Output Afterhours gives a glimpse into the people who make our tools come to life. On deck is sound designer Nestor.

Our Favorite Blogs Chime in on Analog Brass & Winds

The verdicts are in: Analog Brass & Winds is a winner. Don’t take it from us, here’s what some of our favorite blogs had to say.

Why Logic Pro X Works With the Output Music Studio Desk

When Apple Logic Pro X uses your music production desk in a photoshoot, you know you’re doing something right. Discover Output Platform today.

Output Artist Additions: Modern String Beds

Music producers Jimmy LaValle, Dot, and The !llstrumentalist make brand-new tracks with the Modern String Beds addition on Analog Strings.

In the Studio: Joanne Higginbottom

Having been born and raised in Wales, Joanne Higginbottom didn’t dream big at first. But, she ended up a superstar composer in LA.

Output Afterhours: Bruce, Software Developer

Get to know a little more about the team at Output. Meet Bruce, the software developer behind MOVEMENT.

In the Studio: Mark Isham

Mark Isham is a film composer and pioneer in modern electronic and jazz music, obsessed with analog synths and Martin trumpets alike.

In the Studio: John Ottman

John Ottman has worked on movie giants like “The Usual Suspects,” “Kiss Kiss Bang Bang,” and “Superman Returns.”

2017 in Review: The 6 Best Output Moments to Remember

From upcycling to sage advice from Om’Mas Keith, let’s have a look at 2017 in review — one of the funkiest years in Output history.